Portrait of the Artist as a Cold Man. Photograph by Trey Amick.
Picture of Stephen Girimont

Stephen Girimont

Owner, The Intimate Landscape, Fine Art Prints

Who Am I?

Hi, I'm Steve.

Currently, there are several thousand people following me on social media and subscribed to my newsletter. Both groups continue to grow at a blistering pace. Compared to some photographers, those numbers are very small potatoes. But for a life-long introvert such as myself, those numbers are mind blowing and scary. After all, it’s only been about 4 months since I decided I really should get out of my comfort zone and try to promote my work. I think about 1/3 of the folks following me have come aboard in just the last 2 weeks or so.

Why did I suddenly decide it was time to promote my work? Well, at some point I would really like to retire from my job and live on an income derived from the sale of my prints and other photography-based income channels yet to be determined. So let’s get the obvious out into the open at the start: I’d really like you to buy a print from me. Actually, I’d really, really like it if you bought several prints from me, but there’s no hurry.

I’ve learned enough about the art business to know that most sales come from those who know and trust the artist. When I mentioned being an introvert a few sentences ago, I really meant it. It’s very difficult for me, under normal circumstances, to make an effort to get to know other people or make myself known to them. Except, for some reason, when it comes to my art. For reasons even I don’t understand, the chance to talk about myself in the context of my art is something I look forward to and actively seek out.

A few years ago, I had a gallery in Richmond, Virginia at Art Works Galleries and Studios and I remember my family being rather surprised, given how quiet and reserved I normally am, to learn that I actually enjoyed the events they held every month and talking to so many people. I don’t have that gallery anymore, as I had to give it up when I relocated Northern Virginia, but I miss it terribly.


My gallery space at Art Works on opening night in 2011

So I’m going to use this blog post as a proxy for an art gallery on a major event night and you, dear reader, are an art patron. You obviously are, seeing as you’ve stuck with this rambling post this long, so you might was well come along for the rest of the ride…

Pleased to meet you

Hi! I’m Stephen Girimont. Pleased to meet you! Call me Steve. I hope you enjoy what you see, I’ve spent a lot of time and effort making it.

How did I get started in photography? I’d have to say that my interest in photography began with my father while I was growing up in Bluefield, West Virginia. He became very interested in photography before I was a teenager and I remember being curious about his camera and all the lenses he would bring with him on all our family trips (and a little intimidated). Coincidentally, it was on one of those family trips where my love of the Southwest was formed when we drove to Arizona one summer to visit my grandmother in Tucson.

Of course, it was my father who gave me my first camera; a Ricoh KR-10 with a couple of Vivitar zoom lenses. It may have been shared between my brother and I. I can’t quite remember. It could very well be that he gave the camera and lenses to my older brother and I just ended up “borrowing” them. A lot.

The College Years

Photography was a hobby for me through college. I was an English Education major at Virginia Commonwealth University. While studying to be a teacher didn’t afford many opportunities to practice photography, being a fencer did. I was a member of the VCU Fencing Club and would photograph many of the tournaments while competing. And thus, sports photography became my primary interest when it can to the visual arts.

After graduating from VCU, I moved to Chapel Hill, North Carolina where my best friend lived. My intent was to establish in-state residency for a year before applying to graduate school at UNC (in Medieval Literature, if you can believe it). My side interest in photography was the excuse I used to apply for a job at a local camera shop called Foister’s Camera right in the heart of UNC on Franklin Street. I got the job and jumped in with both feet.

I learned absolutely everything I could about photography while working at Foister’s. I read every manual and every book in the store. One of my co-workers taught me how to process film and make prints in the darkroom they had in the basement. The owner encouraged his staff to experiment with the various cameras and lenses on the weekends to be more knowledgable sales people and I took advantage of that frequently.

Unfortunately, Foister’s went out of business about a year after I started working there. (Not my fault I SWEAR!) They were purchased by a Durham-based camera shop called University Camera and I worked for them for the next year or so, continuing to absorb as much about photography as I could.

By this point, it was readily apparent that I was never going to pursue that doctorate in Medieval Literature. Creating images was MUCH more fun than reading Middle English.

I knew there was much more to learn about photography than I would be able to experience working at a camera store, so I started researching photography schools. (This was way before the internet where all learning had to be paid for.) My research came down to choosing between the two best photography schools in the country at that time: The Rochester Institute of Technology in Rochester, New York, or The Brooks Institute of Photography in Santa Barbara, California. I carefully considered the merits of both schools, then considered the climate differences between upstate New York and Southern California. SoCal won hands-down.

The Brooks Years…

Brooks didn’t have a program in sports photography, but they did have one in Scientific and Technical photography. The literature showed images of people taking high-speed photographs of bullets in flight and even explosions, and did that ever look like fun! 

In the three years I was there, I learned so much about portraiture, corporate photography, studio product photography, lighting, high-speed photography, forensic photography, architectural photography… you name it, I learned it. Yes, I have pictures of bullets in flight, shockwaves and all.

A Shadowgraph image of a supersonic .22 caliber bullet in flight, showing pressure waves and trailing cavitation in the air

Oddly enough, landscape photography is something I never did while at Brooks. Now I kick myself for the missed opportunity. There I was, living in one of the most beautiful parts of the country, within easy driving distance of even more beautiful parts of the country, and I never once considered landscapes. Maybe it was because as a student at Brooks you weren’t being graded against the work of your fellow students, you were being graded against the work of the best photographers in the world. Into model photography? Prepare to be compared against Helmut Newton, Patrick Demarchelier, Bruce Weber and Richard Avedon. If you turned in a landscape image, well, it better rate against Ansel Adams or Elliot Porter or you were going to be toast. I don’t think I had it in me at the time to try. 

The Post-Brooks Years…

After Brooks, I moved back east and continued my photography education by assisting professional photographers in the D.C. area. Eventually returning back the Richmond area, I taught myself web programming as a means to market my photography and that knowledge turned into a bit of a career in software engineering with a major financial services company. It’s that career from which I would dearly love to retire with your kind assistance.  

I’m married with two wonderful children, both of whom are are on the spectrum, one quite severely. My wife is incredibly supportive and quite the artist herself, currently experimenting with acrylic pours which become the basis for earnings and pendants. 

While working in the financial services industry I still kept up with photography, having had a sports photography business for a time specializing in mountain bike races and a wedding photography business that died with the economic recession of 2008. It was at that point that I decided that I rather enjoy the solitude that comes with landscape photography and have been solely devoted, photographically, to that genre ever since.  

Bike Race 2
Maher Portrait

One of my mountain bike race images and an engagement portrait from my wedding days

So that’s me, in what is most likely way too many words. I apologize and commend you for lasting this long. Of course, there is a lot I left out, like my experience in Astrophotography, being the staff photographer for the Griffith Observatory in Los Angeles, and the time I photographed the Dalai Lama for Greenpeace.

But I’ll tell you what: buy a print and I’ll tell you all about it! 

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